Who wants perfection anyway?
I’m turning the blog over to my alter ego K. A. Laity today to talk about the hero of her novel White Rabbit and the appeal of the flawed character. I’ve blogged before about ‘likability’ in a character, but how many flaws is enough? How many are too many? Take it away, Kate —
There’s a dismissive term, Mary Sue, used in the SFF world to describe impossibly virtuous characters that are assumed to just be the author inserted, flaws scrubbed away in a wish-fulfilling fantasy. Not surprisingly, it’s often gendered in its use (*cough* Conan, John Carter, just about ever pulp hero).
I find flawed characters much more fun: for one thing, flaws make conflict that much easier and conflict is the motor of a story. Most of us have good intentions but we’re easily tempted by easy outs or short cuts. Characters who are…
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